Catalinbread Formula 5F6 Tweed Bassman Overdrive 过载 单块效果器
欢迎感受正宗的fender Tweed Bassman 音色！
Formula 5F6是基于50年代fender Tweed Bassman 音色原汁原味设计的一款过载效果器，他就像一个真正的fender音箱，Formula 5F6可以很好地响应各种吉他类型，如果你演奏的是复古风格的fender吉他，它会让声音润色得更加富有经典fender味道，当你打开增益旋钮，音色会保持更干净和更长的延音。如果你用的是双线圈或其他更高输出的拾音器，Formula 5F6会响应更高的增益，不过没关系，你总是可以通过把吉他的音量调低来得到干净的音色！
TREBLE, MIDDLE, BASS ： 高、中、低频3段均衡
标准DC9V 正极 ，9V下工作电流为4ma
The Catalinbread 5F6 is our take on the classic tweed Bassman-style amplifier from the late 1950s.
Utilizing 2-6L6 output tubes into 4-10" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.
The Formula 5F6 adds vintage tweed Bassman response to our range of Foundation Overdrives, giving you the awesome characteristics of this classic amp into any clean amp.
Do you play a high-powered clean amp such as a Twin and can’t get a good cranked response at the real world gig volumes you have to play at? Do you play a smaller amp at home but it’s still too loud to give you a great amp response? Do you have a two-channel amp but hate the dirty channel? Or maybe you can play as loud as you want but you crave more touch-sensitivity in your rig. Or maybe you’re having trouble integrating fuzzes into your rig; maybe they get too loud or they just don’t sound right because your amp tone is too clean and the dirty channel of your amp makes the fuzz sound thin, farty, and pinched-o‑. Adding the Formula 5F6 to your rig will solve all these problems and will become the foundation of your pedalboard, the pedal that will enhance the response of all your other pedals.
The Formula 5F6 lends itself to almost any musical style, from the classic Strat - Bassman blues tones of Buddy Guy and Otis Rush to artists like Jimmie and Stevie Ray Vaughn, Robbie Robertson, Robben Ford, all the way to heavier styles by stacking boost, overdrive, or fuzz pedals into it. Don’t worry, the Formula 5F6 won’t just make you play old music! It will take you where your imagination takes you!
The tweed Bassman may be the most inuential *guitar* amp of all time. Although it was marketed as a bass amp, its treble, middle, bass and presence controls and 4 x 10 conguration were perfect for guitar, as guitarists soon gured out. How inuential was the Bassman? Look up the schematic and compare its preamp to that of a Marshall or Vox and you'll see!
What we did with the Formula 5F6 was reproduce the key circuit elements of the Bassman "5F6" preamp circuit's bright channel using JFETs instead of tubes and then ne-tuned and rened it for ultimate low to medium gain response in front of any good amp set clean. You get the same preamp structure (gain stage -> volume control -> gain stage -> tone stack) as the Bassman, key to getting not just the tone, but the feel and response right.
When a tweed Bassman is set at low to medium volumes, you get a sparkling, harmonically rich tone. Turned up a bit more and it delivers that famous on-edge-of-breakup character that is responsive to your picking attack, a sound so craved by guitarists. Play a ringing open chord and you'll be rewarded with lush harmonic swirl. And then crank the volume up to 12 and you'll get a thick, creamy, meaty crunch - the original genesis for all heavy guitar sounds to come. And if you hit it really hard, you’re rewarded with a slight compression, a slight sag in the response, that feels so good to play. The tweed Bassman is so touch-sensitive and responds beautifully across the frequency spectrum. If you play a Strat, this is a match made in heaven. The tweed Bassman might just be the perfect amplier for the Fender guitar. Thus why it can cover any style. The dynamic feel, the perfect amount of breakup, how it lends itself so well to pedals. The tone complements and enhances the Fender guitar rather than ghting it. Gibson style guitars sound great too and will overdrive the preamp sooner and you’ll start to recognize those tones you heard on famous records.