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Solidgoldfx LYSIS POLYPHONIC OCTAVE DOWN FUZZ MODULATOR 八度 法兹 单块效果器

如果你曾感触与合成般淋漓尽致的音色,LYSIS提供了解决方案。对于合成器音色的渴望,很多吉他手和贝斯手都有。虽然它们本质上是相同的设备,但必定有所区别,振荡器、滤波器、LFO的设备,这些都是真正电子合成的材料,这些都是我们在LYSIS中填充的东西。

  • 型号: LYSIS
  • 价格:
  • 产地: 加拿大

LYSIS POLYPHONIC OCTAVE DOWN FUZZ MODULATOR 

图片关键词

       如果你曾感触与合成般淋漓尽致的音色,LYSIS提供了解决方案。对于合成器音色的渴望,很多吉他手和贝斯手都有。虽然它们本质上是相同的设备,但必定有所区别,振荡器、滤波器、LFO的设备,这些都是真正电子合成的材料,这些都是我们在LYSIS中填充的东西。

       所有合成器的钟声和哨声都完整地体现在LYSIS里,这是一个专门设计的波成电路。这有助于LYSIS听起来更像方波或锯齿波。

       我们的数字信号处理器控制的复音八度音程电路接收你所有的声音信号,然后把它发送,一个丰富的双音八度音程向下合成器由然而生。

       滤波模块是真正有趣的地方。对于初用者来说,LYSIS为您提供了将八度/法兹部分与滤波的选项,因此您可以享受低八度法兹的感觉。lysis还为您提供了一个可切换的高通和低通滤波器,以及手动操作滤波值或使其自动调节的选项。

       如果您选择手动路径,Expression Pedal Jack将为您提供对扫频旋钮的控制,实现声音弯曲过滤器的Wah效果。如果选择调制,频率旋钮控制效果的速率。一个表情踏板可以让你控制一些迷幻效果。

        一个板载振动电路完成了LYSES的信号路径。在固定模式下,lysis启动vibrato,但在调制模式下,使用滤波器lfo,mod控制该速率。双位置翘曲开关与相应的脚踏开关一起工作,根据位置,可以最大化或屏蔽mod旋钮。

       LYSIS不仅仅是一个简单效果器,他是一个充满未来元素的载体,更是一个充满各种可能的声音的细胞有机体。


操控--旋钮

Freq 扫频:

请参见:模式[切换]此旋钮根据模式切换的位置进行更改,并且可以使用扩展踏板进行操作。在固定模式下(左),freq改变滤波器的截止频率。在调制模式下(右),频率改变滤波器的调制速度。

Mod 模式 :

请参见:模式[切换]此旋钮根据模式切换的位置进行更改。在固定模式下(左),mod改变板载振动电路的速率和深度。在完全逆时针方向,速率和深度都处于最低水平。在完全顺时针方向上,速率和深度都处于最高点。将其与Blend结合使用,可以将电路从合唱转换为颤音,甚至还包括一些温和的镶边音色。在调制模式(右)中,mod与滤波器lfo接合,顺时针转动时控制深度。

Blend 平衡:

此控件提供法兹部分和滤波部分之间的混合。在完全逆时针方向,只听到法兹,在完全顺时针方向,只听到滤波器。

Fuzz 法兹失真度:

控制电路中的法兹量和衰减高音。在完全逆时针方向,你会听到一个温暖的,轻微的音色,在完全顺时针方向,你会得到狂躁的法兹。

Vol 音量:

总音量控制

TOGGLE SWITCHES 切换推杆:

Warp:

此切换开关更改mod旋钮的行为以及表情踏板的控制。当切换到左侧时,翘曲脚踏开关会将旋钮从当前位置完全逆时针强制为零。当切换到右侧时,表情踏板开关将从其当前位置最大化MOD控制

Voice:

这两个位置切换调整复音低八度电路效果。当声音切换到左边时,一个和缓的复音八度音阶下降电路被接通,从而使高频消失并使信号变厚。当切换到右边时,一个更具侵略性的合成类多声速下八度电路跳到混音器的前面,并且在高通滤波器接通时特别有用。

LPF/HPF:

这将更改过滤器类型。左侧位置低通滤波器,右侧高通滤波器。

Mode:

这会改变滤波器是固定的(左)还是调制的(右)。当模式切换到左侧时,可以手动或通过表情踏板操控滤波器。当模式切换到右侧时,滤波器将以freq(频率)旋钮设定的速率自动扫频。

其他:

Expression pedal jack 扩展踏板口:

Warp footswitch:

根据Warp换开关的设置执行特定功能。

Input:

输入

Output:

输出

True bypass footswitch:

总开关

供电:

标准9VDC 60mA (不可用电池)

体积规格:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)



原文介绍:

If you’ve ever awoken in a cold sweat dreaming of synthesizers, we’ve got just the ticket: Lysis. There’s always been something about synth players for which guitarists and bassists alike have yearned. Though they’re essentially the same instrument, the onboard accoutrements are what makes all the difference—oscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.

All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.

Our DSP-controlled polyphonic octave circuit takes all the clang you’ve cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.

The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter’s cutoff or have it automatically modulate.

If you choose the manual path, an expression pedal jack gives you hands-free control of the Freq knob, for a sound-bending filter-wah effect that can absorb the impact of the most well-equipped dirt section. Should you choose modulation, the Freq knob controls the rate of the effect. An expression pedal gives you foot control over the speed for some psychedelic guitar freakouts or smooth undulation.

An onboard vibrato circuit finishes off the signal path of the Lysis. When in fixed mode, Lysis kicks in the vibrato, but in modulated mode, a filter LFO is engaged and Mod controls the rate of that. The two-position Warp switch works in tandem with the corresponding footswitch, either maxing or killing the Mod knob depending on the position.

Much more than a mere effect Lysis is its own future forward entity, a cellular organism of the sonic variety bursting with possibilities.


KNOBS:

Freq:

See: Mode [toggle] This knob changes depending on the position of the Mode toggle, and can be manipulated using an expression pedal. In Fixed mode (left), Freq changes the cutoff frequency of the filter. In Modulated mode (right), Freq changes the speed at which the filter modulates.

Mod:

See: Mode [toggle] This knob changes depending on the position of the Mode toggle. In Fixed mode (left), Mod changes the rate and depth of the onboard vibrato circuit. At full counter-clockwise, the rate and depth are at their lowest. At full clockwise, the rate and depth are at their highest. Using this in conjunction with the Blend control transforms the circuit from chorus to vibrato and even includes some mild flanger tones. In Modulated mode (right), Mod engages a filter LFO, controlling the depth as you turn it clockwise.

Blend:

This control gives you a blend between the fuzz section and the filter section. At full counter-clockwise, only the fuzz is heard, and at full clockwise, only the filter is heard.

Fuzz:

Controls the amount of fuzz in the circuit as well as attenuated treble. At full counter-clockwise, you’ll hear a warm, lightly crunchy tone, and at full clockwise, you’ll unlock a searing lead fuzz tone.

Vol:

This is a master volume control, and you’ll find the best results at any setting other than zero.

TOGGLE SWITCHES:

Warp:

This toggle switch changes the behavior of the Mod knob and how the corresponding Warp footswitch affects it. When switched to the left, the Warp footswitch will force the knob from its current position fully counter-clockwise to zero. When switched to the right, the Warp footswitch will max out the Mod control from its current position

Voice:

This two-position toggle adjusts the prominence of the always-on polyphonic low octave circuit. When the Voice is switched to the left, a mild polyphonic octave-down circuit is engaged that rolls off high frequencies and thickens the signal. When switched to the right, a more aggressive synth-like polyphonic octave down circuit jumps to the front of the mix, and is especially useful with the high-pass filter engaged.

LPF/HPF:

This changes the filter type. The left position engages a low-pass filter while the right engages a high-pass filter.

Mode:

This changes whether or not the filter is fixed (left) or modulated (right). When the Mode is switched to the left, the Filter can be manually manipulated by either your fingers or an expression device. When the Mode is switched to the right, the Filter sweeps automatically at a rate set by the Freq knob.

AUXILIARY:

Expression pedal jack:

Takes over the function of the Freq knob.

Warp footswitch:

See: Warp [toggle] Performs a specific function depending on the setting of the Warp toggle switch.

Input:

Instrument or other pedal goes here.

Output:

Amplifier or other pedal goes here.

True bypass footswitch:

Turns effect on and off.

POWER:

The Lysis requires a center-negative 9VDC power adapter with at least 60mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)