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Subdecay Quasar Phase Modulator 相位 单块效果器

自2005年以来Subdecay一直在设计和制造Quasar phasers。对于新的Quasar phasers,我们探索了新的领域。我们喜欢违抗惯例和破坏规则。Quasar的下一次进化就在这里,我们已经建立了比以前更多的东西。 许多新功能通常只能在全数字效果器中找到,此次把模拟世界和数字世界结合在一起!

  • 型号: Quasar Phase Modulator
  • 价格: 1600
  • 产地: 美国

Quasar Phaser v4  相位 


多功能相位

The Quasar v4提供了11个模式和一个简单的控制面板。大量的非传统的模式被发掘-节奏和调制模式。当然,传统的相位和旋转音也在其中。


  • 纯模拟电路相位

  • 同步颤音和斩波效果。

  • 主动音量调节。

  • 广泛的传统和实验声音。


图片关键词

演示视频:



纯模拟音色 +  现代化操控.

自2005年以来Subdecay一直在设计和制造Quasar phasers。对于新的Quasar phasers,我们探索了新的领域。我们喜欢违抗惯例和破坏规则。Quasar的下一次进化就在这里,我们已经建立了比以前更多的东西。


许多新功能通常只能在全数字效果器中找到,此次把模拟世界和数字世界结合在一起!


模式 & 操控:

在大多数模式下,控制结果都会按您的预期。offset旋钮是个例外。offset旋钮取决于模式。它可以设置从相位扫描中心点到同步调制的任何参数。

Rate: 控制速录.
Depth: 控制渲染深度.
Color: 通常控制相位共振。在模式5中,它控制滑音函数。
Mode: 设置为11种模式中的任何一种。模式分为以下四类:

1-4 交叉调制 (X-MOD)
5-6 分步排序 (STEP)
7-8 包络 (ENV)
9-11 传统模式

X-MOD-交叉模式:

交叉调制是被两种不同方式调制的奇特方式。

1 & 2 -Triangle + Sine & Triangle + Square:
相位器由一个慢三角形线性调频和一个快正弦波或方波线性调频调制。

Offset: 将LFO比率设置为2、4、8、16或32。

3 – X-Fade:
交叉淡入效果。这有点像电台DJ从一首歌逐渐淡出,进入下一首歌,但相反,这种交叉淡出相位效应和干净的信号。

Offset: 控制在每个阶段的循环中效果交叉淡入的频率。设置为2、4、8、16或32的比率。

Depth: 控制交叉淡入度深度。

4 – Tremolo:
同步相位和颤音.
Offset: 将“颤音比率”设置为2、4、8、16或32。

Depth: 控制颤音深度.


Step Sequencer-分步排序 :

这些模式创建有节奏的相位器/滤波器模式,而不是传统的平滑相位。

5 – Step Pattern-步进:
基于三角形波形的步进模式。
Offset: 设置在创建重复模式的三角形波形上向前跳过的步数。
Color: 控制模式。向左转,使步态柔和。一路左转,调制将从每一步平滑地滑向下一步,创造出无数独特的波形。

6 – RND=随机:
随机相位定序器(方波颤音)
Offset: 控制每步切断音量的时间。(0-50%)


Envelope modes-包络模式:

调制由触摸动力学控制。

7 – Envelope speed control=包络速度控制:
一种相位效应,通过播放动态信号来改变调制速度。(类似于我们的飘忽颤音和(中断的)警报器颤音。)
Offset: 当你敲击吉他弦时,减慢或加快调制速度。

8 – Envelope Phaser-包络相位:
类似于包络滤波器…但伴随相位器。
Offset: 控制相位器静止点。
Depth: 控制相位器的播放动态调制量(就像包络滤波器一样)
Rate: 控制包络的音头和衰减速度。

Traditional-传统模式:

9 – Rotary / Vibrato 旋转音/氛围音:
灵感来源于经典DOD FX22,从直接的颤音或颤音到现在的滤波器/相位器音色,范围之大令人难以置信。
Offset: 控制颤音深度.
Color: 右转以获得共振。向左转动可产生音高振动效果。

10 – Slow Triangle LFO 慢三角形震荡:
长线性相位扫描非常适合低速。
Offset: 控制调制的中心点。

11 – Fast Sine LFO-快速正弦震荡 :
一种使用正弦波线性调频的快速移相器。
Offset:
 控制调制的中心点。

供电:标准 9V-18VDC 外正内负 电流 25ma

尺寸:长4.4″ X 宽2.3″ X 高1.0″


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Pure analog tone with modern features.

Subdecay has been designing and building Quasar phasers since 2005. For the new Quasar we explored new territory. We love defying effects conventions and breaking the rules. The Quasar’s next evolution is here and we’ve built in so much more than before.

Many of the new features are normally only found in fully digital effects. A wide variety of options are under your control. Pairing the analog and digital world together means there’s no compromise of analog headroom or that organic swirl that digital units just can’t match.

Modes & Controls:

In most modes the controls do what you’d expect. The offset knob is the exception. The offset knob is mode dependent. It sets anything from the phaser sweep center point to synchronized modulation ratios.

Rate: Always controls modulation speed.
Depth: Controls modulation depth.
Color: Usually controls phaser resonance. In mode 5 it controls a portamento function.
Mode: Set to any of the eleven modes. Modes are broken down into four categories:

1-4 Cross modulation (X-MOD)
5-6 Step Sequencing (STEP)
7-8 Envelope (ENV)
9-11 Traditional

X-MOD:

Cross modulation is our fancy way of saying the effect is modulated two different ways at the same time.

1 & 2 -Triangle + Sine & Triangle + Square:
The phaser is modulated by a slow triangle LFO and a faster Sine or Square wave LFO.
Offset: Sets LFO ratio to 2, 4, 8, 16 or 32.

3 – X-Fade:
A cross fade effect. This is kind of like when the radio DJ fades out from one song and into the next one, but instead this crossfades the phaser effect and the clean signal.
Offset: Controls how often the effect crossfades over each cycle of the phases. Set to a ratio of 2, 4, 8, 16 or 32.
Depth: Controls the cross fade depth.

4 – Tremolo:
Synchronized phaser and tremolo.
Offset: Sets tremolo ratio to 2, 4, 8, 16 or 32.
Depth: Controls tremolo depth.

Step Sequencer:

Rather than traditional smooth phasing these modes create rhythmic phaser/filter patterns.

5 – Step Pattern:
A stepping pattern based on a triangle waveform.
Offset: Sets how far steps skip ahead on the triangle waveform creating repeating patterns.
Color: Portamento control. Turn to the left to soften step patterns. Turn all the way to the left and modulation will smoothly glide from each step to the next step creating a myriad of unique wave forms.

6 – RND:
Random Phaser sequencer with volume chopper (square wave tremolo)
Offset: controls how long the volume is chopped per step. (0 – 50%)

Envelope modes:

Modulation is manipulated by touch dynamics.

7 – Envelope speed control:
A phaser effect where the modulation speed is altered by playing dynamics. (Similar functionality to our Vagabond Tremolo, and (discontinued) Siren Vibrato.)
Offset: slows down or speeds up modulation when you hit the guitar strings.

8 – Envelope Phaser:
Similar to an envelope filter… but with a phaser.
Offset: Controls phaser resting point.
Depth: Controls how much playing dynamics modulate the phaser (just like an envelope filter.)
Rate: Controls envelope attack and decay speed.

Traditional:

9 – Rotary / Vibrato:
Inspired by the long discontinued DOD FX22 with a deceptively huge range going from straight tremolo or vibrato, to very present filter/phaser tones.
Offset: Controls tremolo depth.
Color: Turn to the right for resonance. Turn to the left for a pitch vibrato effect.

10 – Slow Triangle LFO:
Long linear phaser sweep perfect for slow speeds.
Offset: controls center point of modulation.

11 – Fast Sine LFO:
A faster phaser using a sine wave LFO.
Offset:
 controls center point of modulation.


标签: Subdecay 相位