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Subdecay - Vector Analog Preamp 前级模拟 单块效果器

Vector模拟前级等于一个11合1的效果器,矢量使用数字技术控制多个增益级和一个完整的内部音色组。这给你无与伦比的音色变化与易于使用的控制,音量,音色和增益。

  • 型号: Vector Analog Preamp
  • 价格: 1600
  • 产地: 美国

Vector – Analog Preamp 模拟前级


Vector Overview

有时候你只是想把事情做好。

但带着多个箱头到处跑可不好玩。Vector模拟前级等于一个11合1的效果器,矢量使用数字技术控制多个增益级和一个完整的内部音色组。这给你高质量的音色变化与易于使用的控制,音量,音色和增益。

图片关键词

演示视频:

Overdrive, distortion and Fuzz! Oh my! -集合 过载 失真 法兹

Vector包含了你所有的法兹和过载需求,它有11个模拟音色。即使有了多样的选项,您仍然可以获得您所期望的简单控制界面。

The tones. The tones. The TOANZ!-关于音色

每个通道都不是复制品,它们都有自己的灵感。

过载类

Drive 1 & 2
类似于众所周知的绿色过载单块,但底层没有干净的信号。这使得DRIVE1&2通道在使用干净的放大器时更有用。驱动2是相似的,但有更多的低频响应和一个不太突出的中频。

Crunch
crunch通道的紧密低频响应和谐波清晰度,使其适应于大多的摇滚RIFF。你认为你已经写下了下一首标志性的摇滚即兴曲吗?使用crunch频道!这个音色的宽度和清晰度令人惊讶。

Vintage
使您的前级听起来变得复古式的自然过载音,但保留了较高原音清晰度。

Things are about to get fuzzy.-法兹类

Fuzz 1 & 2
灵感来源于60年代车库摇滚。通过一个depth深度旋钮,混合了两个法兹电路,有时听起来像一个破碎的八度音阶效果,听起来可能很鼻音。

Meltdown
灵感来把一个法兹单块插进前级,然后把所有旋钮调节到11点!!! 还有什么能更鼓舞人心呢?

Are you ready to rock? \m/  摇滚年代细分

1980s
尽情享受80年代老摇滚音色。

1990s
90年代更为饱满的音色。

Modern 1
现代节奏吉他通道,它又温暖又丰富。它可以让复杂的和弦通过,即使在更高的增益设置。

Modern 2
现代2声道具有丰富的谐波和对中低频的突出,非常适合现代摇滚、金属、降调、高增益即兴伴奏。

Layin’ down tracks!

Vector对每个乐手都有意义。如果你不知道音速之旅会把你带到哪里,能有人陪在你身边真是太好了。它可以探索你不常使用的音色。但当录制音乐时它真的会发光。你有一个广泛的声波变化,而不需要另一个麦克风、另一个前级或不停地挖掘你的效果器。你可以录制多首吉他曲目,而不必感觉它们都被困在同一个音域中。

技术规格

  • 9VDC to 18VDC 25mA 供电,标准外正内负.

  • 尺寸  4.4″ X  2.3″ X  1.0″


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原文介绍:

Vector – Analog Preamp


Vector Overview

Sometimes you just want to get things done.

Hauling multiple amps around isn’t fun. Tearing up your pedalboard to record a fleeting inspiration just slows you down.

Enter the Vector Analog Preamp. It’s like eleven pedals in one, but without all the gimmicky features that often make “multi” pedals difficult to use.

The Vector uses digital technology to control multiple gain stages and a full internal tone stack. This gives you unmatched tonal variation with easy to use familiar controls, Volume, Tone and Gain. The Vector won’t get in the way or eat up half of your pedalboard.

Overdrive, distortion and Fuzz! Oh my!

The Vector covers all your fuzz and drive needs with eleven channels of dirty analog goodness. Even with all the options you still get the simple control surface you expect in a stompbox.

The tones. The tones. The TOANZ!

None of the channels are clones or “models,” but they do all have their own inspirations.

Drive 1 & 2
Similar to that well known green overdrive, but without the tubby cleanish signal underneath. This makes the drive 1 & 2 channels more useful when with a clean amp, but will still push a dirty amp into a screaming sustain machine. Drive 2 is similar, but with more bass response and a less prominent midrange hump.

Crunch
The crunch channel’s tight bass response and harmonic clarity make it perfect for palm muting and general purpose riff rock. Do you think you’ve written the next iconic rock riff anthem? Use the crunch channel! The tone has a surprising width and clarity. It wont get all flubby and turn your tone into mud.

Vintage
Makes your amp sound overloaded with a big bottom end, yet retains note separation on the higher strings.

Things are about to get fuzzy.

Fuzz 1 & 2
Inspired by mainstay fuzz pedal of the 60s garage rock. The original had a depth knob that really mixed two fuzz circuits and sometimes sounded like a broken octave effect. It could get really harsh. It could sound quite nasal or almost like a kazoo. Unlike the original this channel has a tone knob to tame the high end… or you could use the tone knob on your guitar as well.

Meltdown
Inspired by plugging fuzz pedals into an amp and turning everything to ELEVEN!!! It sounds like a fuzz pedal into a cranked amp. What could possibly be more inspiring?

Are you ready to rock? \m/

1980s
You know you want to try it. Get your 80s groove on without the spandex, hairspray fumes or neon guitars. We know you secretly work on your pinch harmonic and whammy bar skillz when you think no one else is listening. We know… but don’t worry we won’t tell anyone.

1990s
Big and full. Lots of low end. Easy to get controllable feedback and tons of sustain with loads of interaction between your guitar strings and the air being pushed by your amp.

Modern 1
The go to channel for rhythm guitar that works on just about anything, even in super thick mixes. It’s warm and rich. It let’s complex chords come through even at higher gain settings.

Modern 2
With rich harmonics and a tight focus on the lower mid range, the modern 2 channel is great for modern rock, metal, drop tuning, high gain riffage and letting notes ring out in to singing feedback.

Layin’ down tracks!

The Vector has something for everyone. It’s great to have around if you are going to a jam and don’t know where the sonic journey might take you. It’s great for exploring sounds you wouldn’t use often. But it really shines when recording music. You have a wide array of sonic variation available without the need to mic another amp or dig through your collection of pedals. You can record multiple guitar tracks without them all feeling stuck in the same sonic space.

Information that is definitely on our website, but someone will probably email us to ask about it anyway.

  • Powered by a regulated 9VDC to 18VDC adaptor with a negative center 2.1mm barrel style plug.

  • If using a “daisy chain” power supply, all other pedals MUST be negative ground.

  • Current draw is less than 25mA.

  • Length 4.4″ X Width 2.3″ X Height 1.0″

  • Input impedance- 1M.

  • Output impedance- ~5K.

  • Designed and handcrafted in Oregon.

  • Die-cast metal enclosures for durability.

  • Yellow LED indicator.

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